copyright, Mert & Marcus.
Thanks to everyone who sent in (and continues to send) pics of their pooches. Now back to the lighting guessing.
It doesn’t matter what kind of music you like or don’t like. I don’t think anyone can disagree that Adele has an angelic voice unlike any other. A voice that can seduce you one second, then grab you by the shoulders and shake you silly the next. The more interviews I see, the more I really like her. She has a refreshing honesty and self-deprecating sense of humor not found in many megastars. It’s unbelievable that her career was nearly ended by necessary throat surgery. Our collective ears rejoice that it was not.
Mert & Marcus’ drop-dead gorgeous and dramatic story for the March 2012 US Vogue couldn’t be more fitting of Adele and her voice. The photographic duo combine unbelievable styling, propping and lighting to create an image I’m sure Adele’s mum has taped to her fridge. They certainly nailed it. And with a combo of 4 hot lights and strobes.
This image was suggested by Joel Bedford. Thanks, Joel.
Camera: Medium format, digital, with 70mm lens set on a tripod 12 feet back. Shot at 1/60, f11, ISO 50.
Lighting: For starters, I want to acknowledge there’s quite a bit of retouching in this shot. But I don’t believe it affects the light sources. The key light (if you can call it that) is a 2.5k Arri fresnel HMI at f16 (+1 stop) placed 8 feet to camera right and 6 feet above Adele’s head with narrow focus. It’s aimed directly at her face and hits very little else. A similar Arri fresnel at f16 (+1 stop) sits low, 12 feet to camera right nearly perpendicular to the couch and aimed slightly upward. This light illuminates the branches of baby’s breath, purple fabric, her hand and dress. A gridded, medium strip light at f11 with a full CT blue gel is boomed in above Adele and aimed at the back wall. It has also been flagged to stop light from spilling onto her. A Profoto XL white umbrella at f4 (-3 stops) is set high and directly behind camera to provide a hint of fill.